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NEWS                                                                                                  Tuesday 15May 2018
                                                                                                                                   DAY 8



                 ON THE CROISETTE CANNES Q&A:
                 FINDING FAME


                 FILM and Music Entertainment (F&ME)
                 the UK/Dublin-based production house,   PHILIPPE DIAZ
                 run by producer Mike Downey and
                 Samantha Taylor, has boosted its
                 2018 production slate to 10 features    CHAIRMAN OF CINEMA LIBRE STUDIO
                 to be completed or go into production
                 during 2018.
                 The announcement comes on the heels of   How many times have you been   brilliant animation feature in 2D and
                 the unveiling of their most recent project,   to Cannes?      3D, as well as Witnesses, a very strong film
                 Streetkids United III – The Road to   More than 30.           about the Holocaust. We also have several
                 Moscow and completing shooting on                             new documentaries we are representing
                 Rudolph Herzog’s How To Sell a War   What were you doing for your first   including Jihadists which was censored in
                 which has been picked up by Bankside   Festival?              France (as Salafistes), Paying the Price for
                 for world sales. “In what is a tough   My first professional visit (I came before   Peace the story of Brian S. Willson who
                 international production marketplace,”   as a student) was to promote my first   was run over by a train while protesting
                 says F&ME principal, Mike Downey, “we   production Havre by Juliet Berto, which   US foreign policy and Genetically
                 are striving to put together a slate of the   was selected at the now defunct   Modified Children about how Monsanto       © DR
                 best possible fiction and documentaries   Perspectives du Cinéma Français.  and other chemical companies destroy
                 from the canon of world cinema.  The                          not only our planet but also the health of   Worst memory?
                 international talent pool we work with   What are you doing there now?  children around the world. We are also   Bringing Madonna to Cannes for Truth
                 is phenomenal and as the UK is shrinking   I represent my own production and   very proud to bring to Cannes Poisoning   or Dare and having to organise fake limos
                 away from being a meaningful player   distribution studio based in Los Angeles:   Paradise, directed by Keely Brosnan and   to get the paparazzi off our backs, and
                 in Europe, we must open other doors to   Cinema Libre Studio, which has a   produced by Pierce Brosnan, about the   bringing her to the Palais by boat instead.
                 ensure our film-making future.  F&ME   foreign sales arm as well. The studio   poisoning of Kauia, one of the Hawaiian   And the worst part was that while
                 will be 20 years old next year.”   specialises in high -uality feature films,   Islands by chemical companies. All very   hundreds of these paparazzi followed
                 Next up is the Russia/Ireland/France/  US and foreign, and documentaries.   powerful and provocative films… We   the limo, a dozen were waiting for our
                 Lithuania co-production of Ivan I.   The company is 28 years old and we have   are also looking for a few good movies   “secret” boat when we docked!
                 Tverdovsky’s Jumpman.  Best known for   distributed over 200 films. We are based   to acquire for US distribution.
                 his films Corrections Class and Zoology   in the Riviéra (F3), and are meeting               Best and worst Cannes films?
                 the film is produced by Mila Rozanova   buyers as well as financiers for our next   Best Cannes memory?  Best: Paris, Texas — a long time ago —
                 of Moscow’s New People Film Company   productions.            Being in official competition with Pierre   and La Vie d’Adèle recently. No worst film
                 in partnership with Downey and Taylor,                        et Djemila a film I produced, directed by   — films are too hard to make
                 Arizona Productions and UAB Tremora   What do you hope to achieve   Gérard Blain. It was a very controversial   to ever be “worst.”
                 and is supported by Eurimages. Jumpman   this year?           film about racism and Gérard was a
                 tells the story of Denis, young man   This year we have several exciting new   member of the communist party at the   Favourite hang-out?
                 suffering from a rare disease — complete   movies that we are bringing to Cannes,   time and very happy to let his political   Anywhere in Antibes, which is far more
                 numbness to pain — who becomes the   in particular The Last Prince of Atlantis a   view be known.  tranquil than Cannes. ✦    Liza Foreman
                 centre of a corrupt scam, organised by
                 a group of Russian civil servants. F&ME
                 is also partnering with Ivan Ostrochovský
                 and Katarina Tomkova of Bratislava’s   First-time Hungarian female director
                 Punkchart Films on a screenplay written
                 by Rebecca Lenckiewicz and Marek   debuts ‘ordinary heroine’ story, One Day
                 Leščák, entitled The Disciple.
                 Ostrochovský, who made his name with
                 art-house breakout hits Velvet Terrorists
                 and Koza directs this drama set in a
                 Catholic seminary in Communist Slovakia,                                                     “I wanted to make an everyday
                 which began shooting in March,                                                               or ordinary heroine,” Szilágyi said.
                 is also a recipient of a Eurimages award,                                                    “I wanted to make her story because
                  and will also do post production                                                            I see a lot of strong women in my
                 in Dublin. ✦               LF                                                                neighbourhood, and it takes a lot of
                                                                                                              strength to keep a whole family
                                                                                                             © PARTNERSFILM LTD  One Day premieres as part of
                                                                                                              together.”

                                                                                                              Cannes Critics’ Week selection.
               © AMITAH PARKER FOR  THE AMERICAN PAVILLON   One Day            creating an immersive experience for the   This is the Hungarian film-maker’s first
                                                                                                              Cannes Film Festival as a director.
                                                       SÓFIA Szilágyi is showing her
                                                                                                              “I don’t have a big experience being
                                                                               viewer, which captures the mundane and
                                                                                                              in festivals, so it’s very interesting
                                                       debut film One Day (Egy Nap)
                                                                               The concept of One Day plays into the
                                                       year that has advocated for
                                                                                                              Producer for the film, Edina Kenesei,
                  AMPAV QUEER NIGHT                    at in Cannes. In a historical   exhausting chores of maternal daily life.   and nice,” Szilágyi said.
                  POSTPONED                     Z female empowerment across    greater social narrative that the job of   added that Films Boutique is representing
                  Due to inclement weather, Ampav’s   the board, this feature captures the   a mother is one that is incredibly difficult   One Day internationally. She also
                  Queer Night was postponed until   overlooked strength that is often   but often under-appreciated.   explained that because of their relatively
                  Tuesday, May 15. All festival badge   required to take on the everyday role   Talking to Cannes Market News,   low budget, the team will be heading
                  owners are welcome and entrance  of a mother.                Szilágyi stressed her intention of creating   to more festivals after Cannes to search
                  is on a first come, first served basis.   One Day portrays a woman’s stressful   a protagonist who acted not as a   for potential partners. The first is
                  Queer Night 21.00 - 02.00, is at   and incredibly busy daily life over the   machine, but instead showed a range   the Sydney Film Festival in Australia,
                  the American Pavilion, Riviera 130.   course of 36 hours. Szilágyi portrays this   of abilities and emotions — from   beginning the week of June 6. ✦
                                                Italian teacher and mother of three by   strengths to weaknesses.                  Chloe Teboe

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